Yukon Poet Nathanial Blackjack Wins Contest with Potlatch

Yukon poet Nathanial Blackjack has been awarded for his poignant poem titled Potlatch, which explores themes of isolation and connection within communities. The announcement came during a performance at the Yukon Arts Centre on Wednesday, where Blackjack captivated the audience with an emotional recitation of his work.

The poem begins with the powerful lines, “My people don’t see me,” conveying a deep sense of longing and the complexities of familial bonds. Blackjack, a member of the Little Salmon Carmacks First Nation and of Northern Tutchone heritage, expressed the intricate nature of relationships within families. “There’s a complexity in the bonds of family,” he stated, emphasizing that the realities of these connections are not always straightforward or easy.

Blackjack’s candid approach to writing reflects his authentic self. “I just write like me. There’s no need to change anything about it because that’s just who I am,” he shared. The contest that recognized his work was organized by Active Voice, a collaborative initiative by Yukon University and the Yukon Arts Centre, with support from CBC North. This year’s theme was centered around family and chosen family, making Blackjack’s winning piece particularly resonant.

This edition marks the second iteration of the contest, with Adri Lera, who identifies as Tlingit, Unangax, and Swedish, winning the previous year. The judging panel included notable writer Ivan Coyote, who described Blackjack’s entry as exceptional. Coyote highlighted the contest’s goal of uplifting emerging writers and fostering their creative expression. “This is me intentionally giving back to young authors,” he remarked, reflecting on the impact of recognizing new voices in literature.

Blackjack’s win is significant as it marks the first time his work will be published, providing him with an important platform for his voice. The event was well-attended, with a nearly full house, as Coyote engaged Waubgeshig Rice, a celebrated novelist, in a discussion about the intricacies of writing and the incorporation of cultural narratives. Rice’s works often delve into the effects of colonialism and the power of cultural reclamation, resonating deeply with the audience.

The recognition of Nathanial Blackjack and his poem Potlatch not only celebrates individual talent but also highlights the rich tapestry of Indigenous voices that continue to emerge from the Yukon. As the literary community strives to support and elevate these narratives, Blackjack’s achievement serves as a beacon for other aspiring writers.